![]() Regarding himself as her protector, he opposes the match in every way. The only obstacle to their newfound happiness is Elise’s manager, William Robinson, portrayed by Christopher Plummer (Sound of Music, Doctor Parnassus). In the span of three days, they go on a horse & carriage ride, share a romantic afternoon in a rowboat (anyone else getting ‘Little Mermaid’ vibes, here?), and bond as only movie lovers can. This is a rare moment in movie history, more fairytale than science fiction, where time travel is not achieved via wristwatches or cars or phone booths: It’s more like Dorothy, caught in a tornado, carried off into the Land of Oz.Ĭollier proceeds to find Elise, overcomes her initial rebuttals, and convinces her of his sincerity of heart. He finds himself in 1912, exactly as he had imagined. Removing all reminders of the present, Richard again attempts to will himself back in time– and it works. After several hours, he realizes the recording– made with technology that hadn’t existed in 1912– was the very thing preventing him from transporting to the past. ![]() ![]() He spends the better part of the day listening to a recording of his own voice, trying to convince himself that it is 1912, the last time Elise McKenna was seen at the hotel. Locking himself in his room, he dons an early twentieth century suit, and cuts his hair to match. This sets Richard on a quest to see if time travel is possible, as he is determined to achieve it. He learns all he can about Elise, each clue deepening his obsession, hinting at an implausible truth: Somehow, in the distant past, the two had known each other. Finding the picture was taken sixty years earlier, Collier goes down a rabbit hole of research. Quinn).įrom that moment, Richard is captivated by Ms. We watch as Richard is drawn- almost against his will- to a photograph that changes his life: A portrait of actress Elise McKenna, played by Jane Seymour (Live and Let Die, Dr. Wandering the hotel, Richard stumbles upon a small museum of hotel artifacts and… this is where the movie really begins. Collier goes on an unscheduled getaway prompted by a bout of writer’s block, ending up at the Grand Hotel on Mackinac Island. Set in 1980, the film gives us a voyeuristic look into the life of Richard Collier, a successful playwright portrayed by Christopher Reeve (Superman, Deathtrap). Harnessing the collective star power of Christopher Plummer, Jane Seymour, and Christopher Reeve, the screenplay was written by Richard Matheson, who also wrote the novel on which the film was based. Some of the darker thematic material on "Near the Lake" will even recall elements of his scoring for From Russia with Love, but nothing in that movie was as exquisitely drawn out as the long melodic line here.If Cinderella was about a time traveling Prince, he was the one to disappear at “midnight”, and they DIDN’T live happily ever after… You’d have ‘Somewhere in Time’.īefore The Lake House or The Time Traveler’s Wife, came the time-bending romance ‘Somewhere in Time’. For many listeners, however, Somewhere in Time is his greatest film score, a gently romantic, lyrical idyll that contains some of his best string writing and his most subtle and compelling orchestral work prior to Dances with Wolves. John Barry played a big role in putting the James Bond movies on the map (and keeping them there), and he's scored everything from historical epics (Zulu, Dances with Wolves) to close-in two-person dramas (Dutchman). Some of the darker thematic material on "Near the Lake" will even recall.
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